Thursday 30 May 2013

Cartoon Farm Animals

Cartoon Farm Animals Biography

Source (Google.com.pk)

Animal Farm is an allegorical and dystopian novel by George Orwell, published in England on 17 August 1945. According to Orwell, the book reflects events leading up to the Russian Revolution of 1917 and then on into the Stalin era in the Soviet Union.[1] Orwell, a democratic socialist,[2] was a critic of Joseph Stalin and hostile to Moscow-directed Stalinism, especially after his experiences with the NKVD and the Spanish Civil War.[3] The Soviet Union, he believed, had become a brutal dictatorship, built upon a cult of personality and enforced by a reign of terror. In a letter to Yvonne Davet, Orwell described Animal Farm as his novel "contre Stalin",[4] and in his essay "Why I Write" (1946), he wrote that Animal Farm was the first book in which he had tried, with full consciousness of what he was doing, "to fuse political purpose and artistic purpose into one whole".
The original title was Animal Farm: A Fairy Story, though the subtitle was dropped by U.S. publishers for its 1946 publication and subsequently all but one of the translations during Orwell's lifetime omitted it. Other variations in the title include: A Satire and A Contemporary Satire.[4] Orwell suggested the title Union des républiques socialistes animales for the French translation, which recalled the French name of the Soviet Union, Union des républiques socialistes soviétiques, and which abbreviates to URSA, the Latin for "bear", a symbol of Russia.[4]

Orwell wrote the book from November 1943–February 1944, when the wartime alliance with the Soviet Union was at its height and Stalin was held in high esteem in Britain among the people and intelligentsia, a fact that Orwell hated.[5] It was initially rejected by a number of British and American publishers, including one of Orwell's own, Victor Gollancz. Its publication was thus delayed, though it became a great commercial success when it did finally appear partly because the Cold War so quickly followed World War II.[6]
Time magazine chose the book as one of the 100 best English-language novels (1923 to 2005);[7] it also featured at number 31 on the Modern Library List of Best 20th-Century Novels. It won a Retrospective Hugo Award in 1996, and is also included in the Great Books of the Western World selection.
The novel addresses not only the corruption of the revolution by its leaders, but also the ways wickedness, indifference, ignorance, greed, and myopia corrupt the revolution. It portrays corrupt leadership as the flaw in revolution, rather than the act of revolution itself. It also shows how potential ignorance and indifference to problems within a revolution could allow horrors to happen if a smooth transition to a people's government is not achieved.

Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals
Cartoon Farm Animals

Wednesday 29 May 2013

Cartoon Animations

Cartoon Animations Biography

Source (Google.com.pk)

Popeye the Sailor has been well-known to comic strip fans since his first appearance in the newspaper strip Thimble Theater in 1929. The hot-tempered old salt with bulging forearms and a fractured vocabulary was at first a minor character, but he grew to dominate the strip as readers fell for Popeye "the sailor man." A comical cast of characters grew up around Popeye: skinny flirt Olive Oyl, origin-free orphan Swee'pea, tattered hamburger-lover J. Wellington Wimpy, and the bewhiskered brute Bluto, Popeye's perennial rival for Olive's attention. Popeye loved a good brawl, and would eat a can of spinach to give himself the sudden strength needed to secure victory. In 1933 Popeye made his way to animated cartoons (appearing first in a Betty Boop short by Max Fleischer), and that's where his supernatural spinach habit really became famous, along with screwball sayings like "I yam what I yam" and "That's all I can stands, I can't stands no more!" Hundreds of Popeye short subjects were made, and Popeye cartoons were a fixture in movie theaters and television well into the 1960s. The comic strip continued right into the 21st century, handled by a succession of artists. (Popeye's creator, Elzie Segar, died in 1938.) Popeye was played by Robin Williams in the 1980 feature film Popeye, which co-starred Shelley Duvall as Olive Oyl and was directed by Robert Altman.

Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations
Cartoon Animations

Cartoon Animals Pictures

Cartoon Animals Pictures Biography

Source (Google.com.pk)


Ezili Dantò (pronounced DAN-tor) is one of the singularly important mysteries served in Vodou, and is famous throughout the country of Haiti and into the Diaspora. She is the principle of motherhood, the strong and ferocious woman who works very hard for her family with little reward. She is associated with tough country ways and is fiercely independent. Ezili Dantò is considered to be an extremely tough lady, and can be wild and difficult to control. Dantò generally considers men to be of limited use to her, and will form affiliations with them based principally on opportunity, and also for the new life they help to produce. She is known to be the protector of women's affairs and has killed many a man who has dared to abuse one of her daughters. It is Dantò who will drop everything to come to the assistance of her children. In this, she is seen as very maternal, despite her "wild" nature.

Most "official" accounts of the Bwa Kayiman ceremony, which began the Haitian Revolution, credit the lwa Ezili Dantò as both receiving the sacrifice given as an oath to fight until death, and in declaring war against the French. In fact, popular legend has it that Dantò wrote the declaration of war in hog's blood on parchment made from the skin of a White French man. Legend further has it that Ezili refused to dismount the manbo who she had possessed before the following day; such is the significance of Assumption on August 15th in Haiti, and why Ezili Dantò is celebrated on this day. It is said that, after poisoning the White slave masters in their houses, Dantò fought alongside the men during the Haitian Revolution. This is Ezili Dantò. She rages and she destroys. She can be wild and vengeful. However, often this rage is turned inward and manifests in rather startling ways. Possessions by Dantò tend to be very moving affairs. She cannot speak, as she has no tongue, but utters the staccato "kay-kay-kay- kay" all the while gesturing to make herself understood; she is also deaf. Dantò does have an extreme manifestation in Ezili Je Wouj (literally, "Red-eyed Ezili") who speaks, but not in a manner most people would be used to understanding. In possession, the violence of Ezili Dantò can emerge without warning and with the elemental force of a torrential rain, sweeping away both just and unjust alike. Because of this, her rage is often equated with the thunderstorm, and in this Dantò is associated with another little-known Ezili called Kawoulo.

Dantò can be wild at times and difficult to control, especially if she smells the blood of a black pig, her favorite food. Vodouwizan are careful when offering such a pig to make sure and calm Dantò down as quickly as possible following the sacrifice in order to avoid danger... unless of course, the sacrifice was made in exchange for a specific work, in which case, the society may wish to keep her heated.

Some Vodouwizan maintain that Dantò is a lesbian. This is false, and a misconception due to a complete misunderstanding of her nature. In reality, Ezili Dantò is a hermaphrodite, having both male and female characteristics, partaking of both natures, and this is also one reason why she is so wild and difficult to control. Because of this, she will readily marry as many women as she does men. She may present as a woman, or as a man, and is capable of taking on whatever form is most pleasing to her human spouse.

Ezili Dantò is said to have several children. The first is her daughter who she carries in her arms. Most authors identify this child by the name Anaise, though this is not her "true" name. The child is also an hermaphrodite and is often said to be more fearsome than the mother. Many people overlook the child when dealing with the mother, not realizing that, since she is both mute and deaf, it is the child who is translating the prayers and demands of the servitor for the mother to begin with. Dantò has a son Ti-Jan Petwo who is also said to be her favorite lover. She is also the mother of several sets of Marasa, both twins and triplettes. Besides Jan, Ezili Dantò is known to have relations with Ogou Ze Wouj (who is himself a form of Ogou Badagris), Ogou Feray, Simbi Makaya, and the Bawon. Though served in the rites Petwo, her origin, like all lwa bearing the name Ezili, and most of the lwa of her family, is actually Dahomean, descending as she does from the spirit Aziri and similar entities of the Mami Wata cults of West Africa. Most notably, Ezili Dantò bears a great resemblance to the West African deity called Mami Tchamba. However, because she is considered to be so hot and wild, it is the rites of Petwo, not Rada, which contain her. Some people also claim her origins are in the traditions of the Native Tayino. While this is not impossible, there is no real evidence to support this. Contrary evidence of her origins being in Africa is plentiful, however.

Many people mistakenly confuse Ezili Dantò with other spirits surnamed Ezili who are served in the Petwo rites such as Ezili Balyan, Ezili Kè Nwa, or Ezili Mapyan, but this is erroneous. These are all her sisters; they are different lwa. However, Ezili Dantò does have an even more extreme manifestation in Ezili Je Wouj, and this is her most violent and dangerous manifestation. In some lineages, Ezili Dantò is known under a different name and by a slightly different manifestation called Manbo Zila (sometimes simply Manzila). Vodou adepts see this manifestation in the lithograph of Our Lady of Mount Carmel. When she arrives in the peristil she utters, not the rapid staccato "kay-kay-kay-kay", but a more guttural "ep— ep— ep" or "de-de-de-de". This particular manifestation has been traced by some houngan and manbo as having immediate roots on the Kongo.

The feud between Ezili Dantò and her sister Ezili Freda Daome is legendary.

They are considered to be mortal enemies, and Vodouwizan take great pains to separate their services, even to the point of not making offerings to them on the same day, if possible. Oral legend points to the long-standing hatred between these two powerful female spirits as the origin of Dantò's facial scars, her twa mak (three marks), which were made by Freda's jeweled dagger during one of their many battles.

Her colors are dark blue, red, and also multi-colors; the manifestation known as Manbo Zila is known to wear red and green. Dantò's day of the week is Tuesday, and she is feasted on several dates annually including July 16th (Saut D'eau), August 15th (Assumption), and December 24th (Christmas Eve) Her Catholic saint associations are with the following: Our Lady of Czestochowa (promounced "Chezo-ho-va") or Mater Salvatoris (the Black Virgin Mary who the Cubans call Santa Barbara Africanis), Our Lady of Lourdes, Our Lady of Perpetual Help, and Our Lady of Mount Carmel. With the exception of Our Lady or Lourdes, Ezili Dantò is most frequently associated with images of the virgin holding an infant, the Christ child, though Vodouwizan do not so identify this child. Rather, he is understood to be a she -Ezili's child Anaise. In the diaspora, Dantò may be found associated with Our Lady of Prompt Succor, and with the image of the Hindu divinity called Kali-Ma.

Ezili Dantò drinks kleren, dark rum, trempe, dark crème de cacao, dry red wine, and some kinds of beer, ginger tea, and black coffee. She is not offered sweetened drinks, as this calms her disposition to much. She is offered roasted peanuts and corn, rice and various beans, black beans and corn meal, rice with mushroom (djon-djon), boiled corn meal mush with peppers, and kasava bread. Dantò receives red or black (but not red and black) hens and the Kreyòl black pig (an indigenous pig, which, at one time, was all but wiped extinct by Americans). -It should be noted here that her real food is pork. Poultry, while exceptable as a substitute if pig is not available, is not really her food, being as it is considered more of a "snack" than a meal. Dantò carries a sharp dagger (sometimes several), and smokes a pipe with tobacco, cigars, cigarillos, and/or dark strong filterless cigarettes. She receives Florida or Kinanga Water (both common skin bracers), or in some houses, the perfume called Rev d'Or. She also greatly enjoys all sorts of dolls, especially twin dolls being as she herself is a mother of twins. Just as Freda's metal is gold, so Dantò's is silver. Unlike most Petwo lwa, she can be served in kwi bowls, just as on the usual wooden or tin-plates otherwise offered Petwo mysteries.

Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures
Cartoon Animals Pictures

Famous Cartoon Animals

Famous Cartoon Animals Biography

Source (Google.com.pk)

At age 16, during World War I, he lied about his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 20s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however. The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity. Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Steamboat Willie (1928), and it was immediately picked up. It became the first cartoon to use synchronized sound. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas. In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Flowers and Trees (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Three Little Pigs (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular. In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Snow White and the Seven Dwarfs (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now. In the mid- 40s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953). In 1950, he also started producing live-action films, with Treasure Island (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including Lady and the Tramp (1955), Sleeping Beauty (1959), and 101 Dalmatians (1961). In 1955, he even opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success.

Walt also became one of the first producers of films to venture into television, with his series "Walt Disney's Wonderful World of Color" (1954) which he began in 1954 to promote his theme park. He also produced "The Mickey Mouse Club" (1955) and "Zorro" (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida. He never did finish those plans, however; in 1966, he contracted lung cancer. He died in December at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. What's more, his company continues to flourish, still producing animated and live-action films and overseeing the still- growing empire started by one man: Walt Disney, who will never be forgotten.

Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals
Famous Cartoon Animals


Funny Cartoon Animals

Funny Cartoon Animals Biography

Source (Google.co.pk)

Randy Glasbergen is one of America’s most widely and frequently published cartoonists and humorous illustrators. His freelance and syndicated cartoons are seen all over the world in newspapers, magazines, greeting cards, books, calendars, advertising, blogs, and websites. His work has also been used in projects as diverse as scratch-off cards for the UK National Lottery, refrigerator magnets, boxer shorts, dog raincoats, restaurant menus, public plasma displays, and taxi cab TV screens. 

PERSONAL INFO: Randy began his professional cartoonist career at age 15 and began freelancing full-time after a year of journalism studies in Utica, New York. Aside from a year spent as a staff humor writer at Hallmark Cards in Kansas City, he has been a full-time freelance cartoonist since 1976. Randy lives in a small town in rural New York State with his wife and an assortment of dogs, cats, guinea pigs and fish. He works at home in a cluttered studio that occupies the third floor of his creaky old Victorian home (formerly a boarding house for local school teachers). When he’s not at the drawing board or computer, Randy enjoys walking his basset hounds and spending time with his family. He is a collector of Popeye, Monkees, and GI Joe memorabilia and a fan of amateur women’s roller derby.

CUSTOMERS INCLUDE: Harvard Business Review, Hallmark Cards, International Olympic Committee, IBM,  China Daily, La Nacion Costa Rica, The TImes of India, American Greetings, Dunkin Donuts, Playboy Magazine, GoComics.com, Toastmasters International, McGraw-Hill, Pearson Education Publishing,  Glaskow Sunday Mail, San Diego Times-Union, Milwaukee Journal, Classmates.com, Volvo, Cisco Systems, Toyota, Best Western International,  QVC, Court TV, Funnies Extra, Recycled Paper Greetings, Andrews McMeel Publishing, First Magazine, Woman’s World Magazine, Sun Microsystems, Sprint, America Online General Mills, Eastman Kodak, Walgreens, Good Housekeeping, United States Postal Service, Ebony Magazine, Reader’s Digest, Funny Times, Wall Street Journal, Time Warner Cable, Proctor and Gamble, Chicago Historical Society, Cosmopolitan, Glamour, Medical Economics, Bally Total Fitness, Boy’s Life, Weekly Reader, Better Homes and Gardens, Physician’s Weekly,  Teen Newsweek, Ten Speed Press, Planet Fitness, TOPS, e-Diets.com, DietRiot.com, Weight Watchers, MasterCard, Oxford University Press, Saturday Evening Post and many other publishers, companies, organizations, and universities around the world.

Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals
Funny Cartoon Animals