Cartoon Animals Step By Step

Cartoon Animals Step By Step Biography

Source (Google.com.pk)

At age 16, during World War I, he lied about his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 20s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however. The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity. Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Steamboat Willie (1928), and it was immediately picked up. It became the first cartoon to use synchronized sound. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas. In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Flowers and Trees (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Three Little Pigs (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular. In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Snow White and the Seven Dwarfs (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now. In the mid- 40s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953). In 1950, he also started producing live-action films, with Treasure Island (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including Lady and the Tramp (1955), Sleeping Beauty (1959), and 101 Dalmatians (1961). In 1955, he even opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success.

Walt also became one of the first producers of films to venture into television, with his series "Walt Disney's Wonderful World of Color" (1954) which he began in 1954 to promote his theme park. He also produced "The Mickey Mouse Club" (1955) and "Zorro" (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida. He never did finish those plans, however; in 1966, he contracted lung cancer. He died in December at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. What's more, his company continues to flourish, still producing animated and live-action films and overseeing the still- growing empire started by one man: Walt Disney, who will never be forgotten.

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animals Step By Step

Cartoon Animated

Cartoon Animated Biography

Source (Google.com.pk)

At age 16, during World War I, he lied about his age to join the American Red Cross. He soon returned home, where he won a scholarship to the Kansas City Art Institute. There, he met a fellow animator, Ub Iwerks. The two soon set up their own company. In the early 20s, they made a series of animated shorts for the Newman theater chain, entitled "Newman's Laugh-O-Grams". Their company soon went bankrupt, however. The two then went to Hollywood in 1923. They started work on a new series, about a live-action little girl who journeys to a world of animated characters. Entitled the "Alice Comedies", they were distributed by M.J. Winkler (Margaret). Walt was backed up financially only by Winkler and his brother Roy O. Disney, who remained his business partner for the rest of his life. Hundreds of "Alice Comedies" were produced between 1923 and 1927, before they lost popularity. Walt then started work on a series around a new animated character, Oswald the Lucky Rabbit. This series was successful, but in 1928, Walt discovered that M.J. Winkler and her husband, Charles Mintz, had stolen the rights to the character away from him. They had also stolen all his animators, except for Ub Iwerks. While taking the train home, Walt started doodling on a piece of paper. The result of these doodles was a mouse named Mickey. With only Walt and Ub to animate, and Walt's wife Lillian Disney (Lilly) and Roy's wife Edna Disney to ink in the animation cells, three Mickey Mouse cartoons were quickly produced. The first two didn't sell, so Walt added synchronized sound to the last one, Steamboat Willie (1928), and it was immediately picked up. It became the first cartoon to use synchronized sound. With Walt as the voice of Mickey, it premiered to great success. Many more cartoons followed. Walt was now in the big time, but he didn't stop creating new ideas. In 1929, he created the 'Silly Symphonies', a cartoon series that didn't have a continuous character. They were another success. One of them, Flowers and Trees (1932), was the first cartoon to be produced in color and the first cartoon to win an Oscar; another, Three Little Pigs (1933), was so popular it was often billed above the feature films it accompanied. The Silly Symphonies stopped coming out in 1939, but Mickey and friends, (including Minnie Mouse, Donald Duck, Goofy, Pluto, and plenty more), were still going strong and still very popular. In 1934, Walt started work on another new idea: a cartoon that ran the length of a feature film. Everyone in Hollywood was calling it "Disney's Folly", but Snow White and the Seven Dwarfs (1937) was anything but, winning critical raves, the adoration of the public, and one big and seven little special Oscars for Walt. Now Walt listed animated features among his ever-growing list of accomplishments. While continuing to produce cartoon shorts, he also started producing more of the animated features. Pinocchio (1940), Dumbo (1941), and Bambi (1942) were all successes; not even a flop like Fantasia (1940) and a studio animators' strike in 1941 could stop Disney now. In the mid- 40s, he began producing "packaged features", essentially a group of shorts put together to run feature length, but by 1950 he was back with animated features that stuck to one story, with Cinderella (1950), Alice in Wonderland (1951), and Peter Pan (1953). In 1950, he also started producing live-action films, with Treasure Island (1950). These began taking on greater importance throughout the 50s and 60s, but Walt continued to produce animated features, including Lady and the Tramp (1955), Sleeping Beauty (1959), and 101 Dalmatians (1961). In 1955, he even opened a theme park in southern California: Disneyland. It was a place where children and their parents could take rides, just explore, and meet the familiar animated characters, all in a clean, safe environment. It was another great success.

Walt also became one of the first producers of films to venture into television, with his series "Walt Disney's Wonderful World of Color" (1954) which he began in 1954 to promote his theme park. He also produced "The Mickey Mouse Club" (1955) and "Zorro" (1957). To top it all off, Walt came out with the lavish musical fantasy Mary Poppins (1964), which mixed live-action with animation. It is considered by many to be his magnum opus. Even after that, Walt continued to forge onward, with plans to build a new theme park and an experimental prototype city in Florida. He never did finish those plans, however; in 1966, he contracted lung cancer. He died in December at age 65. But not even his death, it seemed, could stop him. Roy carried on plans to build the Florida theme park, and it premiered in 1971 under the name Walt Disney World. What's more, his company continues to flourish, still producing animated and live-action films and overseeing the still- growing empire started by one man: Walt Disney, who will never be forgotten.

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Cartoon Animated

Making Cartoon Animation

Making Cartoon Animation Biography

Source (Google.com.pk)

Charles Martin "Chuck" Jones (September 21, 1912 – February 22, 2002) was an animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio. He directed many of the classic short animated cartoons starring Bugs Bunny, Daffy Duck, the Road Runner and Wile E. Coyote, Sylvester, Pepé Le Pew and a slew of other Warner characters. Three of these shorts (Duck Amuck, One Froggy Evening and What's Opera, Doc?) were later inducted into the National Film Registry. Chief among Jones' other works was the famous "Hunting Trilogy" of Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck! (1951–1953).

After his extraordinary career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions and began producing memorable cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts and the television adaptation of Dr. Seuss' How the Grinch Stole Christmas! He later started his own studio, Chuck Jones Productions, which created several one-shot specials, and periodically worked on Looney Tunes related works.

Film historian Leonard Maltin has praised Jones' work at Warner Bros., MGM and Chuck Jones Productions. He also noted that the "feud" that there may have been between Jones and colleague Bob Clampett was mainly because they were so different from each other. Chuck Jones' character styles were more controlled and calmed down, while Bob Clampett's were crazy, wacky and insane.animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio. He directed many of the classic short animated cartoons starring Bugs Bunny, Daffy Duck, the Road Runner and Wile E. Coyote, Sylvester, Pepé Le Pew and a slew of other Warner characters. Three of these shorts (Duck Amuck, One Froggy Evening and What's Opera, Doc?) were later inducted into the National Film Registry. Chief among Jones' other works was the famous "Hunting Trilogy" of Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit, Duck! (1951–1953).

After his extraordinary career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions and began producing memorable cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts and the television adaptation of Dr. Seuss' How the Grinch Stole Christmas! He later started his own studio, Chuck Jones Productions, which created several one-shot specials, and periodically worked on Looney Tunes related works.

Film historian Leonard Maltin has praised Jones' work at Warner Bros., MGM and Chuck Jones Productions. He also noted that the "feud" that there may have been between Jones and colleague Bob Clampett was mainly because they were so different from each other. Chuck Jones' character styles were more controlled and calmed down, while Bob Clampett's were crazy, wacky and insane

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Making Cartoon Animation

Cartoon Animation Websites

Cartoon Animation Websites Biography

Source (Google.com.pk)

Fist-fighting, spinach-loving sailor of comics and cartoons

Popeye the Sailor has been well-known to comic strip fans since his first appearance in the newspaper strip Thimble Theater in 1929. The hot-tempered old salt with bulging forearms and a fractured vocabulary was at first a minor character, but he grew to dominate the strip as readers fell for Popeye "the sailor man." A comical cast of characters grew up around Popeye: skinny flirt Olive Oyl, origin-free orphan Swee'pea, tattered hamburger-lover J. Wellington Wimpy, and the bewhiskered brute Bluto, Popeye's perennial rival for Olive's attention. Popeye loved a good brawl, and would eat a can of spinach to give himself the sudden strength needed to secure victory. In 1933 Popeye made his way to animated cartoons (appearing first in a Betty Boop short by Max Fleischer), and that's where his supernatural spinach habit really became famous, along with screwball sayings like "I yam what I yam" and "That's all I can stands, I can't stands no more!" Hundreds of Popeye short subjects were made, and Popeye cartoons were a fixture in movie theaters and television well into the 1960s. The comic strip continued right into the 21st century, handled by a succession of artists. (Popeye's creator, Elzie Segar, died in 1938.) Popeye was played by Robin Williams in the 1980 feature film Popeye, which co-starred Shelley Duvall as Olive Oyl and was directed by Robert Altman.

Extra credit:

According to the King Features website, "Spinach growers credited Popeye with a 33 percent increase in U.S. spinach consumption and saving the spinach industry in the 1930s!"... The Popeye's Fried Chicken restaurant chain is named not for Popeye the Sailor, but rather (according to the fast-food company) for the Popeye Doyle character played by Gene Hackman in The French Connection... Bluto was called Brutus in some later animated cartoons... Wimpy was an incorrigible moocher whose regular promise was, "I will gladly pay you Tuesday for a hamburger today."

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Cartoon Animation Websites

Gay Cartoon Animals

Gay Cartoon Animals Biography

Source (Google.com.pk)

Daniel Charles Piraro (born 1958)[1] is a painter, illustrator and cartoonist best known for his award-winning syndicated cartoon panel Bizarro. Piraro's cartoons have been reprinted in 16 book collections (as of 2012). He has also written three books of prose.[2]
Born in Kansas City, Missouri, Piraro was raised in Tulsa, Oklahoma, where he graduated from Booker T. Washington High School in 1976.[3]
He dropped out of Washington University in St. Louis.[4] He lived in Dallas and New York City for many years and currently resides in Los Angeles after separating from his wife, Ashley Lou Smith.[5] Syndicated since 1985,[6] Bizarro was appearing in 250 papers by 2006.[7]Piraro describes himself as "liberal and progressive politically".[4] His cartoons have occasionally drawn some complaints about his politics, as in 2005, when a cartoon he drew in support of gay marriage was sent to all papers publishing the color version without an alternative caption he had intended to supply to papers wishing to avoid the issue.[8]
In 2002, Piraro became a vegan. His activism is visible in Bizarro, often incorporating vegan and animal cruelty themes into his cartoons. In an interview, he stated, "If you look at my strip over the years, I’ve always had a form of animal sympathy and animal rights."[9] Piraro has also incorporated an entire section devoted to veganism on his website, detailing his reasons for becoming a vegan and other vegan-related information.[10]
In 2007, Piraro designed a limited edition T-shirt for endangeredwear.com to raise money for the Woodstock Farm Animal Sanctuary, a non-profit organization committed to ending the systematic abuse of animals used for food.
In a 2011 interview with This Land Press, Piraro discussed some of the troubles he faced as a liberal growing up in Tulsa, OK.[11]
Since 2001, Piraro has toured the U.S. with his one-man comedy show, The Bizarro Baloney Show, which won the 2002 New York International Fringe Festival's award for Best Solo Show.
Piraro received the National Cartoonists Society's Panel Cartoon Award for 1999, 2000 and 2001. Beginning in 2002, Piraro was nominated every year for the National Cartoonists Society’s Reuben Award, as Outstanding Cartoonist of the Year, and he finally was given a Reuben Award in 2010.[10] Cartoonist-illustrator Steve Greenberg commented:
Perhaps they finally gave him the award to get him off the ballot after so many consecutive years on it; the rule (at least since multiple-winner Bill Watterson’s Calvin and Hobbes) for the Reuben Award is once-only per creator. In any event, this is overdue recognition of a strip that is among the best drawn (for me, up there with 9 Chickweed Lane and Non Sequitur) and inventive (for me, up there with Liō and Zits). Bizarro has also given the world of comic strips signature icons, such as his ongoing placements of eyeballs, pieces of pie, aliens in space ships and somewhat menacing bunnies. It’s the comics world’s closest brush with the world of surrealist paintings (and by the way, Piraro is an excellent surrealist painter as well). To me, Bizarro hits heights of offbeat creativity and daily surprises that haven’t been seen since Gary Larson and his The Far Side panel. And speaking of panels, Piraro is one of the few creators who makes his daily offering into both a horizontal comic-strip space and a squarer panel format in order to fit more newspapers’ space needs.[10]

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals

Gay Cartoon Animals